Tag Archives: Super-8

VIDEO: Olympic & Western: A Primer on the Typographic Order and an Argument for its Proper Usage in the Built Environment

Written by . Filed under Documentary, Essay, Experimental, Short Films. Tagged , , , , , , , , . Comments Off.

“Olympic & Western” is a manifesto on the proper usage of type in the built environment – and the first video to be narrated by Siri. Tightly adapted from a mysterious analog audio tape found on the side of the road, it was shot with an iPhone 4S and edited with Final Cut Pro X. This video mash-up meshes infrastructural convergences and reveals intuitive paradigms by using the city of Los Angeles as a testbed for seizing urbanistic ecologies, curating front-end ecosystems, cultivating emergent methodologies, and revealing the link between street signage graphic design and the JFK assassination. (Evan Mather, U.S.A., 2012, 7:30)

DIR Evan Mather NARRATOR Siri MUSIC Protman

Share

HD Super-8s in “39-A”

Written by . Filed under News, Process. Tagged . Comments Off.

I recently worked with Pro8mm in Burbank to get all of my old Super-8 films scanned in High Definition. The films were first washed and cleaned, and then scanned using a 2K Spirit Datacine. The resulting files were saved in Apple ProRes 422 format and delivered on a hard drive. I have since remastered 39-A using the new HD scans – Scenic Highway is not far behind. Here are some examples of the before and after:

“39-A”, Sample #1: Original SD Scan (March 2005)

“39-A”, Sample #1: New HD Scan (August 2011)
Read More »

Share

VIDEO: 39-A: Een Reisverhaal Van Eindeloos (A Travel Tale of Interminable)

Written by . Filed under Documentary, Short Films. Tagged , , , , , , , , . 2 Comments.

39-A: Een Reisverhaal Van Eindeloos (A Travel Tale Of Interminable) is an experimental film that challenges and subverts the typical elements of documentaries, thus making us all reflect upon important questions in documentary filmmaking such as What material can be trusted, can the voice-over narrator be trusted, where does documentary end and fiction start? Besides these questions, that the film raises, it has managed to convince the jury by it’s unusual and alienating collage of super 8 footage, by its investigative style and suspense. The film is putting audiences continuously on the wrong track yet consistently intriguing, leaving the viewer bewildred and pensive. Through its hybrid form, 39-A: A Travel Tale Of Interminable is showing inventive ways of dealing with documentary footage and transforming reality into film.Webcuts.11

Weirdest of all is 39-A: Een Reisverhaal Van Eindeloos (A Travel Tale Of Interminable), which seems specifically designed to make the viewer feel as if he or she is experiencing some abnormal brain activity. In the short, Old Super 8 footage of a trip to the Kennedy Space Center is overlaid with an animated roadmap and a narration track that sounds as if it’s been run through Babel Fish half a dozen times. It’s proof—if more were needed—that finding the festival’s hidden treasures sometimes requires a little digging.The Onion A.V. Club

… a high brow spoof on art theory, deconstruction, documentaries, and reality itself.D Magazine

Evan Mather’s short film is one mindfuck of a travelogue.Film Threat

In this insightful autobiographical mashup of Super-8 home movies, vibrant animated cartography, and Dutch pidgin-speak, a family’s 1981 vacation to the Kennedy Space Center is chronicled in exquisite detail. (Evan Mather, U.S.A., 2010, 7:24)

Read More »

Share

VIDEO: Scenic Highway

Written by . Filed under Essay, Short Films. Tagged , , , , , , , , , . Comments Off.

Due to the recent unpleasantness, Baton Rouge has eclipsed New Orleans as the largest city in Louisiana. Is the city destined for greatness? Scenic Highway is the name of US Highway 61 as it passes through northern Baton Rouge. It is also this trip to the city – and such landmarks as Huey Long’s art deco State Capitol building and Buckminster Fuller’s hidden geodesic dome. This darkly affectionate memoir is also an exposé of the city’s colorful history – told through the use of animated motion graphics, archival Super 8 footage, and re-created & faux-created elements. (Evan Mather, U.S.A., 2006, 18:15) Read More »

Share